91影视

Dr Bethany Layne

Job: Senior Lecturer in English Literature

Faculty: Arts, Design and Humanities

School/department: School of Humanities

Research group(s): Centre for Adaptation Studies

Address: De 91影视 University (91影视), Leicester, UK

T: 0116 250 6559

E: bethany.layne@dmu.ac.uk

 

Personal profile

I joined De 91影视 University as a Senior Lecturer in English Literature in September 2017. My primary research interest is Henry James’s legacy in contemporary fiction, including biographical novels and appropriative literature. I am also interested in the writing and legacies of Virginia Woolf and Sylvia Plath. My monograph, Henry James in Contemporary Fiction: The Real Thing was published with Palgrave Macmillan in 2020. My interviews with David Lodge, Colm Toibin, and Susan Sellers are published in Conversations with Biographical Novelists: Truthful Fictions Across the Globe (Bloomsbury, 2018), and I am the editor of Biofiction and Writers' Afterlives (Cambridge Scholars, 2020)

I welcome PhD applications from students interested in James, Woolf, Plath, biofiction, adaptation and appropriation.

Research group affiliations

I am a member of the Centre for Adaptations

Publications and outputs


  • dc.title: Julia Novak and Caitr铆ona N铆 Dh煤ill (eds.), Imagining Gender in Biographical Fiction dc.contributor.author: Layne, Bethany dc.description.abstract: Taking its cue from Judith Butler鈥檚 definition of gender as 鈥榓 practice of improvisation within a scene of constraint鈥 (2), this volume of essays sets out to explore biographical fiction鈥檚 innovations in gender, and also in genre. Deliberately avoiding 鈥榞rand theor[ies]鈥 (3), the editors offer an understanding of genre as historically situated and in constant flux; like existing tropes of gender, concepts of genre are seen as available to biofiction鈥檚 rewritings. dc.description: open access article

  • dc.title: Something Rich and Strange?: Drowning, Resurfacing and Recycling in Biofiction about Woolf dc.contributor.author: Layne, Bethany

  • dc.title: Sounds Strangely Familiar: John Banville's Jamesian Pastiche dc.contributor.author: Layne, Bethany

  • dc.title: Great Poets Do Not Die: Maggie Gee's Virginia Woolf in Manhattan (2014) as Metaphor for Contemporary Biofiction dc.contributor.author: Layne, Bethany dc.description.abstract: This chapter takes as its subject Maggie Gee鈥檚 novel Virginia Woolf in Manhattan (2014), which imagines what might transpire if Woolf were to be resurrected in twenty-&rst-century New York. She is conjured by the &ctitious novelist Angela Lamb, who is visiting the Berg Collection in preparation for a keynote address at an international Woolf conference. As a contemporary novelist who recalls her subject to life, lends her clothing and helps her to sign her name, Angela is symbolic of the real-life novelists who recreated Woolf in their own image and reinterpreted her works in line with their respective versions. The chapter thus contends that Gee鈥檚 recent manifestation of Woolf-inspired bio&ction may be read successfully as an extended metaphor for the twenty-year-old subgenre. This originated with Sigrid Nunez (1998) and Michael Cunningham (1998), and extends to recent work by Priya Parmar (2014) and Norah Vincent (2015). The chapter &rst examines issues of content, focusing on Gee鈥檚 presentation of Woolf鈥檚 suicide and sexuality. The discussion is then expanded to think critically about Woolf-inspired bio&ction as a subgenre, particularly the ethical issues attendant on its invasion of the subject鈥檚 privacy.

  • dc.title: 鈥楩ull cause of weeping鈥: Affective Failure in The Queen (2006) and The Crown (2019) dc.contributor.author: Layne, Bethany dc.description.abstract: This article reads The Crown, Series Three, Episode Three, 鈥楢berfan鈥, as an adaptation of The Queen, both of which were written by Peter Morgan. Each focuses on a crisis in public relations emerging from Elizabeth II鈥檚 delayed reaction to a tragedy: the mining disaster in The Crown and the death of Princess Diana in The Queen. Both are double portraits, in which the monarch鈥檚 affective failure is contrasted with the more humane response of the prime minister, Harold Wilson and Tony Blair respectively. And both texts explore the tension between private grief and public performance. By reading these texts in dialogue, their relevance to their contemporary contexts is magnified. The Queen uses Elizabeth II鈥檚 nadir in public relations to comment on Blair鈥檚 fall from grace as a result of the Iraq War, while 鈥楢berfan鈥, by emphasising the avoidable nature of the disaster, comments on the Grenfell Tower fire of 2017. While neither text shrinks from criticising the monarch for her breakdown in empathy, the resonances between Aberfan and Grenfell allow the Queen鈥檚 immediate and humane response in 2017 to redeem her delayed reactions in the past. This demonstrates the capacity of fictional texts to intervene in the popular perception of their subjects. dc.description: open access article

  • dc.title: Biofiction and Writers' Afterlives dc.contributor.author: Layne, Bethany

  • dc.title: The Haunting of Bly Manor: why Henry James鈥檚 eerie tale still inspires so many adaptations dc.contributor.author: Layne, Bethany

  • dc.title: Why we still have a fear of the dark dc.contributor.author: Layne, Bethany

  • dc.title: BBC鈥檚 adaptation of Malory Towers reveals more about the period and its diversity than Blyton鈥檚 book dc.contributor.author: Layne, Bethany

  • dc.title: ''Welcome to a New Era'?: Downton Abbey in 2019' dc.contributor.author: Layne, Bethany dc.description.abstract: Just as Downton Abbey Seasons 1-6 coincided with the Coalition government, the production schedule for the 2019 movie paralleled key moments in the Brexit campaign. The film offers a comforting, optimistic narrative to an audience expected to have recently severed ties with Europe, bidding viewers 鈥渨elcome to a new era鈥. Like the series, however, which has been read as an apologia for the new Conservatism, the film has a deeply reactionary narrative, pretending that technological and sartorial advances constitute progress. The article pursues this argument from a feminist perspective, proceeding down the film鈥檚 social hierarchy from the Princess Royal to the under-cook.

Key research outputs

 (Palgrave Macmillan, 2020)

 (Cambridge Scholars, 2020)

Research interests/expertise

Henry James, Virginia Woolf, Sylvia Plath, biofiction, adaptation, appropriation

Areas of teaching

Poetry; critical reading and writing skills; contemporary fiction; adaptation 

Qualifications

  • BA (Hons) English Studies (University of Nottingham, 2008)
  • MA Twentieth Century Literature (University of Leeds, 2009)
  • PhD Modern to Contemporary Literature (‘(Post) Modernist Biofictions: The Literary Afterlives of Henry James, Virginia Woolf, and Sylvia Plath’) (University of Leeds, 2013)

Courses taught

  • Approaches to Reading and Writing
  • Poetry and Society
  • Millennial World Fiction
  • The 21st Century Global Franchise: Adapting the Wizarding World
  • English Research Methods (MA)
  • Putting Methods into Practice (MA)

Professional licences and certificates

Fellow of the Higher Education Academy 

Conference attendance

"Adoring Isabel: Extending The Portrait of a Lady in John Banville’s Mrs Osmond" at The Association of Adaptation Studies 13th Annual Conference, The University of Amsterdam, 2018.

‘‘Bibliofaction’’ as Adaptation and Return’ at The Association of Adaptation Studies 12th Annual Conference, De 91影视 University, Leicester, 2017

 Postmodernist Biofiction (Co-organiser with Dr Madeleine Davies), University of Reading, 2017

 ‘Better Never than Late: The Absence and Origins of the Major Phase in David Lodge’s Author, Author and Colm Tóibín’s The Master’ at Late and Later James, Lamb House, Rye, 2016.

'“Great Poets Do Not Die”: Maggie Gee’s Virginia Woolf in Manhattan (2015) as Metaphor for Contemporary Biofiction’, at Virginia Woolf and Heritage, the 26th Annual Conference on    Virginia Woolf, Leeds Trinity University, 2016

‘“The price of adaptation may be very high”: Jamesian Transmission in Michiel Heyns’s Invisible Furies (2012)’ at Reading Henry James in the Twenty-First Century: Heritage and Transmission, The American University of Paris, 2016

Consultancy work

Area of Expertise: Henry James, Biographical and Appropriative Literature; currently available

Current research students

Julian Pinnick; second supervisor

Professional esteem indicators

I have acted as a reader for the journals ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, English Studies in Africa, and a/b: Auto/Biography Studies.

Case studies

My article 'Why we still have a fear of the dark' was published in the newspaper on on 16th October 2020, and I have written two pieces for The Conversation, on the BBC adaptation of Malory Towers, and on the Netflix series The Haunting of Bly Manor.

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